OBVIOUSLY


In the Fall of 2021, I developed early art direction concepts on a redesign of influencer agency Obviously’s website. My main contribution was a gradiated grid showcasing Obviously’s bread and butter: influencer videos.

Below, you can trace the development of my concept from the final, live version which serves as the opening bumper to the site, to the refined wireframe, back to my initial ideation .


OBVIOUSLY


In the Fall of 2021, I developed early art direction concepts on a redesign of influencer agency Obviously’s website. My main contribution was a gradiated grid showcasing Obviously’s bread and butter: influencer videos.

Below, you can trace the development of my concept from the final, live version which serves as the opening bumper to the site, to the refined wireframe, back to my initial ideation .


VINCE
WARNE
b. 1995




Hi. I’m Vince Warne, an artist and designer interested in narrative, technology, and film.. After graduating from Wesleyan, I worked in the film industry until COVID-19 hit, then joined Interlace Inc, a Lightspeed-funded startup, as Creative Director. After leaving Interlace I created, marketed, and sold an NFT artwork for 17 ETH earlier this year.

Since then, I’ve done illustration and animation for clients including The Browser Company, Lexus, and Starling Labs. I’ve previously worked with the agency Diamond Hook Media as an art director on photo+video shoots for Squatty Potty and Obviously. I’ve also worked as an art director, animator, and set dresser on feature films and shorts which have gone on to premiere at Sundance and Locarno.

I’m passionate about film, and film writing; I am an editor at The Millennium Film Journal and have been published in Film Comment Magazine. I post daily AI-generated artwork imagining movies that don’t exist on an Instagram called Fourth Eye Film Archive, the successor to an interactive website I built early in the pandemic to raise money for shuttered theaters.

I’m currently seeking a full-time position in NYC or remote, in a role related to design, branding, and/or art direction. Drop me a line if you’d like to chat.

Contact: 
vincewarne@gmail.com
︎︎



Mark

VINCE
WARNE
b. 1995



Hi. I’m Vince Warne, an artist and designer interested in narrative, technology, and film. After graduating from Wesleyan, I worked in the film industry in Brooklyn until COVID-19 hit, then joined the Lightspeed-funded Interlace Inc, as Creative Director. After leaving Interlace I created, marketed, and sold an NFT artwork for 17 ETH earlier this year.

Since then, I’ve done illustration and animation for clients including The Browser Company, Lexus, and Starling Labs. I’ve previously worked with the agency Diamond Hook Media as an art director on photo+video shoots for Squatty Potty and Obviously. I’ve also worked as an art director, animator, and set dresser on feature films and shorts which have gone on to premiere at festivals like Sundance and Locarno.

I’m passionate about film and film writing; I’m an editor at The Millennium Film Journal, and have been published in Film Comment Magazine. I’m also interested in AI text-to-image generation–I write about it on Substack, and create AI-assisted artwork on Fourth Eye Film Archive, the successor to an interactive website I built early in the pandemic to raise money for shuttered theaters.

I’m currently seeking a full-time position in NYC or remote, in a role related to design, branding, and/or art direction. Drop me a line if you’d like to chat.

Contact: 
vincewarne@gmail.com
︎︎



Mark