In late 2022, I contributed illustration to Rolling Stone’s interactive multimedia article The DJ and the War Crimes, about the Bosnian genocide, photographer Ron Haviv, and fact and fiction in photojournalism. Co-produced by Starling Labs, the extensive article and its supplemental material conveys a military intelligence aesthetic, which was supplemented by my rugged grease pencil linework, emulating redacted top secret documents.
ROLLING STONE
In late 2022, I contributed illustration to Rolling Stone’s interactive multimedia article The DJ and the War Crimes, about the Bosnian genocide, photographer Ron Haviv, and fact and fiction in photojournalism. Co-produced by Starling Labs, the extensive article and its supplemental material conveys a military intelligence aesthetic, which was supplemented by my rugged grease pencil linework, emulating redacted top secret documents.
VINCE
WARNE
b. 1995
Hi. I’m Vince Warne, an artist and designer interested in narrative, technology, and film.. After graduating from Wesleyan, I worked in the film industry until COVID-19 hit, then joined Interlace Inc, a Lightspeed-funded startup, as Creative Director. After leaving Interlace I created, marketed, and sold an NFT artwork for 17 ETH earlier this year.
Since then, I’ve done illustration and animation for clients including The Browser Company, Lexus, and Starling Labs. I’ve previously worked with the agency Diamond Hook Media as an art director on photo+video shoots for Squatty Potty and Obviously. I’ve also worked as an art director, animator, and set dresser on feature films and shorts which have gone on to premiere at Sundance and Locarno.
I’m passionate about film, and film writing; I am an editor at The Millennium Film Journal and have been published in Film Comment Magazine. I post daily AI-generated artwork imagining movies that don’t exist on an Instagram called Fourth Eye Film Archive, the successor to an interactive website I built early in the pandemic to raise money for shuttered theaters.
I’m currently seeking a full-time position in NYC or remote, in a role related to design, branding, and/or art direction. Drop me a line if you’d like to chat.
Hi. I’m Vince Warne, an artist and designer interested in narrative, technology, and film. After graduating from Wesleyan, I worked in the film industry in Brooklyn until Covid hit, then joined the Lightspeed-funded Interlace Inc, as Creative Director. After leaving Interlace I created, marketed, and sold an NFT artwork for 17 ETH earlier this year.
Since then, I’ve done illustration and animation for clients including Rolling Stone, The Browser Company, Lexus, and Starling Labs. I’ve previously worked with the agency Diamond Hook Media as an art director on photo+video shoots for Squatty Potty and Obviously. I’ve also worked as an art director, animator, and set dresser on feature films and shorts which have gone on to premiere at festivals like Sundance and Locarno.
I’m currently seeking a full-time position in NYC or remote, in a role related to design, branding, and/or art direction. Drop me a line if you’d like to chat.
